Post by Prudence Warner on Sept 16, 2013 2:17:19 GMT -8
“Dance is the hidden language of the soul”
― Martha Graham
― Martha Graham
Prudence Warner walked into the dance studio. The woman smiled as she looked around. "It's good to be home." She breathed as she crossed the floor to the stereo and put in the CD for that day's class. Like a lot of the student body, she too had left the campus at the beginning of the vacation. She had returned to the American Ballet Academy in Salem, Oregon and taught pre-ballet and Ballet I classes, as well as having a little one on one time with her own teacher. She had thoroughly enjoyed her time back with the Academy, and was tempted to take on a job that they offered her, but had turned it down to return to her students in Blue Ridge.
She was wearing an olive leotard, grey knit shorts, a pink wrap front sweater and pink leg warmers along with her pink ballet pointe shoes. She was normally dressed in the same uniform that she asked her students to arrive in, but had decided to shake things up a little today, and she preferred to wear pointe shoes over slippers, but didn't give her students the choice, they were only allowed to wear slippers in dance class. She turned the music on and took her time warming up her own muscles so that she was stretched and ready for when the class arrived.
She had only just finished when the students began entering the studio and when she was sure they were all accounted for she smiled warmly. "Welcome to you all." She said. "For those that don't know me, I am Ms Warner. I ask that you all find yourselves a spot at the barre and we will begin." She waited for them to position themselves at the bar. "And just because I've been doing ballet all summer, that's what I'll use to warm you up today." She walked over to the stereo and pushed play. "Starting in first position with demi-pliés.. grand pliés.. on to slow tendu.. now tendus in fifth, which are a little faster with degages... On to piqués and we will finish with a balance at the barre.. then onto ron de jambe with these, I would like you to include some lunges and port a bras and finish with a balance in arabesque to stretch out the back muscles...
Next we do frappe... on to grand ronds de jambe... Take some time to do Barre stretch... And we'll finish with grand battements..."
Once the class had finished the warm up, Prue smiled around her students. There was only one new face this year, and the girl hadn't missed a step, so she obviously had a bit of ballet in her background. "As you're at the barre, let's continue our lesson there. One demi-plié, two grand-pliés, one relevé (on half toe) in first, second, fourth and fifth. Two battlement tendus in demi-plié; front, side, back, and side. Half turn toward the barre and repeat. Battlement tendu jettés: three to the front, and again. Seven to the side. Three to the back, and repeat. Seven to the other side. Well done ladies." As they had been going through the movements, Prue had been walking down the line of dancers, fixing the odd posture here and there, tweaking how the head was sitting, how a hand was positioned, the arch of the back, the angle of the leg; things that were often forgotten whilst the dancer was thinking about her next move.
OOC: I'm working on the fact that all of the students, other than Libby, were all in Prue's class the year befrore, so she's got them now doing "third year" ballet work. And if anyone wants to know, other than the warm-ups and cool-downs, the lessons come from the book: 100 Lessons in Classical Ballet.
This is the warm-up