Post by Anastasie Chevalier on Sept 10, 2013 3:08:45 GMT -8
Anastasie led Paris into her classroom... alright, it was a field, but to her it was a classroom. She laughed as the tobiano buckskin danced snorted and looked around at everything. The filly was an interesting creature, as every time she went somewhere, it was as though it was the first time she had ever been there and was treated with as much excitement. Even more so today since there were carrot sticks and ropes on the ground just inside the gate for the students who weren't in her summer clinics to use during the class, those that had been in the clinics were asked to bring theirs with them.
Letting go of the filly's lead, the woman walked around the perimeter of the field, turning on each of the speakers that were spaced around the area, one in each corner and then another one in the middle of the three fences that excluded the one with the gate. She never had the sound too loud, but it helped carry her voice without her having to shout, and it also helped when the wind was blowing in the wrong direction. Once they were on, she turned on the portable unit on her waistband and put her headset on. "Don't eat the mic." She told Paris as the filly came forward to inspect it, and she swapped the short lead for the 12 foot lead. She was also holding a clipboard that had her entire lesson written out with some visual aids, as she knew that one of her students couldn't hear, and it wouldn't be fair on him to think that he would understand the entire lesson from just watching her.
As her students arrived, she welcomed them in and asked them to find a space in the field. When it seemed that everyone had arrived she began the lesson. "Welcome everyone. I can see that we have a couple of new faces, so before we really get going, I would like everyone to introduce themselves, their horse and either why you have chosen this class or what you wish to get out of it. I'll start. I'm Anastasie Chevalier and this is Paris. I have always been interested in working with horses without needing artificial aids, but it wasn't until I arrived here in America, ten years ago, and found Cedar at a barn I was working at that I actually studied natural horsemanship. He was a horse that had reached the end of his tether and it seemed that no one could get through to him, so I needed to find other ways to piqué his interest in the world and it seemed that this was what he needed. Now, I want to share that knowledge with you. Don't get me wrong, I'm not here to teach you how to whisper to your horse, I'm here to teach you how to listen when your horse speaks to you." She knew that her words sounded mysterious, but it would also, hopefully, get them thinking.
Once the introductions were over she asked Paris to step up to her. "We're going to start today the way I like to start each of my classes. Today we are going to going to remind our friends about personal bubbles and the fact that they aren't allowed in said bubbles without our permission, and give them enough respect to show them it works both ways." She unclipped the filly's lead rope and the Pinto, Arabian happily bounced away from the woman before she lowered her head to graze on the short green grass. "If you stretch your arms out to the side, hold the stick out as well, and turn in a circle, that is your bubble (the stick included). And no one, animal or human, should enter that space without your permission. Horse's bubbles are slightly bigger." She drew herself up, bringing her energy up, so that she wouldn't be as warm and welcoming to the filly, looked the young horse directly in the eye, and took a purposeful step toward the filly. Paris' head shot up and she skittered backwards, keeping the space between herself and the human. "As you can see, Paris wasn't happy about me entering her bubble. I had my energy up, I was aggressive and dominating, to the point that she wanted to keep the distance between us because she felt threatened."
Ana then released a sigh, letting her shoulders drop and relaxing her entire body. She fixed her eyes on the filly's shoulder and once again took a step forward. Paris once again looked up from her grazing, but this time didn't move away from the woman's approach and happily pushed her nose into the offered hand as Ana reached her side. "This time she had no problem with me entering her bubble because she didn't see me as a threat." She clipped the rope back onto the filly's turquoise rope halter. "It works the same the other way around. If a horse approaches you in an aggressive way, you would also step back. The power goes to the person, or animal who can make the other move their feet. So, the idea is never to move your feet." She knew that this is where having Cedar would have been better as the gelding was good at showing aggression.
"Basically, the idea, is that you want your horse to be standing outside your bubble. A horse that invades your space on his own might knock you down, step on you, or try to bite. If he approaches you only when you invite him to, you're in control of the situation and therefore safer. Second, and equally important, is the related matter of respect. If you allow a horse to push into you, even in a friendly way, he's learning that he needn't respect you." She smiled. "I'll stop talking now and we'll see if you can work out your bubble and getting your horse to stay out of it."
Letting go of the filly's lead, the woman walked around the perimeter of the field, turning on each of the speakers that were spaced around the area, one in each corner and then another one in the middle of the three fences that excluded the one with the gate. She never had the sound too loud, but it helped carry her voice without her having to shout, and it also helped when the wind was blowing in the wrong direction. Once they were on, she turned on the portable unit on her waistband and put her headset on. "Don't eat the mic." She told Paris as the filly came forward to inspect it, and she swapped the short lead for the 12 foot lead. She was also holding a clipboard that had her entire lesson written out with some visual aids, as she knew that one of her students couldn't hear, and it wouldn't be fair on him to think that he would understand the entire lesson from just watching her.
As her students arrived, she welcomed them in and asked them to find a space in the field. When it seemed that everyone had arrived she began the lesson. "Welcome everyone. I can see that we have a couple of new faces, so before we really get going, I would like everyone to introduce themselves, their horse and either why you have chosen this class or what you wish to get out of it. I'll start. I'm Anastasie Chevalier and this is Paris. I have always been interested in working with horses without needing artificial aids, but it wasn't until I arrived here in America, ten years ago, and found Cedar at a barn I was working at that I actually studied natural horsemanship. He was a horse that had reached the end of his tether and it seemed that no one could get through to him, so I needed to find other ways to piqué his interest in the world and it seemed that this was what he needed. Now, I want to share that knowledge with you. Don't get me wrong, I'm not here to teach you how to whisper to your horse, I'm here to teach you how to listen when your horse speaks to you." She knew that her words sounded mysterious, but it would also, hopefully, get them thinking.
Once the introductions were over she asked Paris to step up to her. "We're going to start today the way I like to start each of my classes. Today we are going to going to remind our friends about personal bubbles and the fact that they aren't allowed in said bubbles without our permission, and give them enough respect to show them it works both ways." She unclipped the filly's lead rope and the Pinto, Arabian happily bounced away from the woman before she lowered her head to graze on the short green grass. "If you stretch your arms out to the side, hold the stick out as well, and turn in a circle, that is your bubble (the stick included). And no one, animal or human, should enter that space without your permission. Horse's bubbles are slightly bigger." She drew herself up, bringing her energy up, so that she wouldn't be as warm and welcoming to the filly, looked the young horse directly in the eye, and took a purposeful step toward the filly. Paris' head shot up and she skittered backwards, keeping the space between herself and the human. "As you can see, Paris wasn't happy about me entering her bubble. I had my energy up, I was aggressive and dominating, to the point that she wanted to keep the distance between us because she felt threatened."
Ana then released a sigh, letting her shoulders drop and relaxing her entire body. She fixed her eyes on the filly's shoulder and once again took a step forward. Paris once again looked up from her grazing, but this time didn't move away from the woman's approach and happily pushed her nose into the offered hand as Ana reached her side. "This time she had no problem with me entering her bubble because she didn't see me as a threat." She clipped the rope back onto the filly's turquoise rope halter. "It works the same the other way around. If a horse approaches you in an aggressive way, you would also step back. The power goes to the person, or animal who can make the other move their feet. So, the idea is never to move your feet." She knew that this is where having Cedar would have been better as the gelding was good at showing aggression.
"Basically, the idea, is that you want your horse to be standing outside your bubble. A horse that invades your space on his own might knock you down, step on you, or try to bite. If he approaches you only when you invite him to, you're in control of the situation and therefore safer. Second, and equally important, is the related matter of respect. If you allow a horse to push into you, even in a friendly way, he's learning that he needn't respect you." She smiled. "I'll stop talking now and we'll see if you can work out your bubble and getting your horse to stay out of it."